ERWIN WURM
HOUSE ATTACK

MUMOK, MUSEUM MODERNER KUNST STIFTUNG LUDWIG WIEN, VIENNA, AUSTRIA
20 OCTOBER 2006 – 11 FEBRUARY 2007

In a permanent exchange of questions and answers about what sculpture is and how it is constituted, Erwin Wurm has worked from the outset on a many-layered body of work that can be understood as a long-term study of sculpture as a concept. For Wurm, one of the most successful contemporary artists, anything can become sculpture: actions, written or drawn instructions, or even a thought. His art often treats elementary as well as banal life needs and actions, as well as their perversion, as can be expressed in physical deformations. The artist explores issues such as the thinness craze and obesity, fashion, advertising, and the cult of consumerism, whose central fetishes include the private home as well the car. The exhibition showed more than 400 drawings, videos, photographs, and sculptures, the most expansive show of the artist's work to date.
HOUSE ATTACK, 2006
Mixed media
5 x 10 x 7 m

His most prominent work, visible from afar, was the object HOUSE ATTACK, installed on MUMOK's external façade: the single-family house as a symbol of every day, privacy, as well as small-mindedness explodes like a bomb into the façade of the museum – the institutionalized museum temple. In its visual presence, HOUSE ATTACK represents an ambivalent metaphoric example of the work of the artist, a focus of the exhibition.

© Images Lisa Rastl

FEATURED ARTIST

ERWIN WURM

Erwin Wurm (b. 1954 in Bruck an der Mur, Austria) lives and works in Vienna. His oeuvre comprises sculptures, photography, video, performance, and painting. His works often involve everyday objects such as cars, houses, clothing, luxury bags, and food products, with which he ironically comments on consumerism and capitalist mass production. Wurm gained widespread popularity in the 1990s with his “One Minute Sculptures”. Museum pedestals are displayed and left devoid of any work, so that the audience can take the place of the sculpture for one minute, according to the artist’s whimsical instructions. With this ironic yet radical gesture, Wu...
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