BERNAR VENET
CONVERGENCE 54.5˚ ARC x 14

OLYMPIC AQUATIC CENTRE, PARIS, FRANCE
11 JULY – 9 OCTOBER 2024

In the days leading up to the opening of the Paris 2024 Olympic and Paralympic Games, Patrick Ollier, the President of the Métropole du Grand Paris, and Mathieu Hanotin, the Mayor of Saint-Denis and President of Plaine Commune, inaugurated CONVERGENCE 54.5˚ ARC x 14. The monumental work by Bernar Venet is situated adjacent to the Olympic Aquatic Centre, and is the only monumental work that has been created to mark the occasion of the Paris 2024 Summer Games.

Photomontage of CONVERGENCE 54.5˚ ARC x 14, seen with the Olympic Aquatic Centre
© Courtesy Métropole de Grand Paris

"My sculpture, CONVERGENCE 54.5˚ ARC x 14, is a work of imposing dimensions, measuring 18 meters high and weighing about 40 tons. Made to be shown during the Paris 2024 events, it is two sets of vertical arcs that are immediately recognizable as a symbolic gesture. Together, they constitute asymmetrical but well-balanced encounters, or, as the title says, convergences. This piece, characteristic of my visual vocabulary, comprises an ensemble of similarly sized curved sections of Corten steel. Most of my sculptural work over the last few years centers on the concept of line, whether straight lines, broken lines (the angles), curved lines (the arcs), or lines liberated from their geometrical origins that I call indeterminate lines. My decision to go with arcs for this particular piece made it possible to move toward what I was trying to achieve from my preliminary sketches: supple elements that embrace one another, connecting and harmonizing like an open-ended alliance stretching into the airspace over this spectacular Olympic site." – Bernar Venet

FEATURED ARTIST

BERNAR VENET

Bernar Venet (b. 1941 in Château-Arnoux, France) lives and works in Le Muy, France. Venet studied in Nice at the Municipal School of Plastic Arts and began working as a stage designer for the Nice Opera House shortly thereafter. Venet moved to New York in 1966, where he developed his TAR paintings, RELIEF CARTONS, building on his earlier iconic TAS DE CHARBON (Pile of Coal), 1963, heralded as one of the very first sculptures without a pre-determined shape. Venet is an artist who works in series, some lasting more than several decades, like his INDETERMINATE LINES, and COLLAPSES, which use painted rolled steel to carve elegant, intersecting...
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