ERWIN WURM

MARMORSCHLÖSSL, BAD ISCHL, AUSTRIA
17 MAY – 26 OCTOBER 2025

The exhibition, located in the grounds of the former imperial summer residence in Bad Ischl, focuses primarily on the sculptural work of Erwin Wurm and includes works from the past three decades. The exhibited works, some of which provide very personal insights into the artist's life, also address experiences from his childhood – feelings of powerlessness and confinement.In addition to the FAT HOUSE, the FAT CAR, and other classics from Wurm's oeuvre, the SCHOOL, the counterpart to the NARROW HOUSE, a narrow replica of Wurm's parental home, will also be part of the exhibition. While the former building symbolizes socialization through the parental home, the school represents education through the state.Wurm's important work series explore the themes of philosophy, architecture, fashion, and luxury. Furthermore, the artist also draws on culinary elements of Austrian folk culture. Bread and pastries, special sausages, and pickled gherkins become protagonists of his work, representing both the artist himself and his environment.The materials the artist uses to create these works are as diverse as the diverse themes on display. In addition to objects made of fabric, metal, acrylic, and marble, several glass objects will also be on display. Accompanying the artist's sculptural oeuvre will also be a small cinema featuring a selection of Wurm's video works.

© OÖLKG, Michael Maritsch. Bildrecht, Wien 2025

FEATURED ARTIST

ERWIN WURM

Erwin Wurm (b. 1954 in Bruck an der Mur, Austria) lives and works in Vienna. His oeuvre comprises sculptures, photography, video, performance, and painting. His works often involve everyday objects such as cars, houses, clothing, luxury bags, and food products, with which he ironically comments on consumerism and capitalist mass production. Wurm gained widespread popularity in the 1990s with his “One Minute Sculptures”. Museum pedestals are displayed and left devoid of any work, so that the audience can take the place of the sculpture for one minute, according to the artist’s whimsical instructions. With this ironic yet radical gesture, Wu...
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